Type Tuesday – Page 3 – PRINT Magazine

Rev Up Your Designs with the Confident, Car-Inspired Free Font Ridge

The Snug Typeface Finds Opportunities for Play in Its Negative Space

Knit Grotesk is a Font You Can Thread Right Into Your Sweater

Curly Gloom Will Add an Irresistible Extraterrestrial Look to Any Design

There’s Nothing ‘Arrogant’ About This Sunny, Psychedelic Typeface

Arlen’s Off-Kilter Magnetism Highlights the Charm of Imperfect Design

Brick’s Kinetic, Graffiti-Inspired Look Pushes Back Against Flat Design Trends

Why Are People Mad About the New Nokia Logo— and Is It Warranted?

Totally is a Font That Takes Inspiration from Superhero Magazines of the ’50s

The Typeface Heidth Finds Magic in the Aesthetics of the Recent Past

What’s the Big Deal About the U.S. State Department Font Change?

Monotype Redefines Aerodynamic Typography with Their Font Aeroko

Community Gothic Highlights the Power of a Simple Typeface

Type Tuesday Presents the Class of 2022: The Most Interesting Fonts of the Year

Monotype’s Charles Nix on How Typography is the Underdog of the 2022 World Cup

Type Tuesday

Gamby Has All the Retrofuturist Charm of a Midcentury Commercial

Make Waves With Mitch Proctor’s Sunny, Free Typeface HC Gleam

A Tech Branding Expert Takes Us Behind the Scenes of Creating a Bespoke Typeface

Muller Next Makes a Case for the Impact of Neutral Type

Hailea Urban Display Takes Script Fonts Into the Next Generation

The Working Assembly Launches Work Type, An Independent Type Foundry

What’s “Evil Serif”? Blacker Mono Visually Defines It

Quirky, Expressive Buona Display Takes Influence From Classic Italian Type